As I drank my tea sitting in the lovely early morning sunlight on the disheveled autumnal front garden the light was so beautiful that I decided to take our my pastels and sketch. Trying to be free and pastels are a great help with that, I love using them.
I started this painting at the start of 2020 after the distressing forest fires burning in Australia and other places in the world then covid took off and lock downs happened and somehow my painting dried up in favour of growing vegetables. At last I have started to work on it again though its quite a daunting task as it is a very big canvases big I have to stand on a small stool to reach the top. So far I have had two sessions on it and have made progress but there is a lot more work to do. Watch this space!
There is a value in keeping a painting you think is finished hanging around the studio where you can see it because it will talk to you sometimes screaming until you pickup a brush and correct the offending area. This painting was such a one. It didn’t look right and had a sort of empty space in the middle. I had tried to keep the area with the golden marjoram in the centre clear but just ended up with a hole so I decided to extend the white umbels using oil pastels instead of paint. I won’t work on it again however loud it tries to make itself heard I have had enough it.
Oil on Block canvas 80x80cm