As I drank my tea sitting in the lovely early morning sunlight on the disheveled autumnal front garden the light was so beautiful that I decided to take our my pastels and sketch. Trying to be free and pastels are a great help with that, I love using them.
I started this painting at the start of 2020 after the distressing forest fires burning in Australia and other places in the world then covid took off and lock downs happened and somehow my painting dried up in favour of growing vegetables. At last I have started to work on it again though its quite a daunting task as it is a very big canvases big I have to stand on a small stool to reach the top. So far I have had two sessions on it and have made progress but there is a lot more work to do. Watch this space!
There is a value in keeping a painting you think is finished hanging around the studio where you can see it because it will talk to you sometimes screaming until you pickup a brush and correct the offending area. This painting was such a one. It didn’t look right and had a sort of empty space in the middle. I had tried to keep the area with the golden marjoram in the centre clear but just ended up with a hole so I decided to extend the white umbels using oil pastels instead of paint. I won’t work on it again however loud it tries to make itself heard I have had enough it.
Oil on Block canvas 80x80cm
Although my summer has been very productive outside my studio has been like a foreign country. I think this was partly due to the stress of dealing with the challenges lockdown threw up which led to the creation of a vegetable garden. I now have time to draw breath and I forced myself to get going again. I always find it hard to start creative work when I have been away from it so I start with getting my work space sorted out, and believe me. it needed sorting out.
This painting oils called SEA KALE on 70x70cm box canvas has been hanging around in various stages for about three years and as I don’t like not finishing work today I got on with it. It could be finished but you never know!
I really meant to post more on this blog but somehow what with trying to source groceries online, worrying about my very vulnerable spouse, getting a raised bed up and running for the first and time tidying the rest of the garden after a very wet winter I didn’t manage to get anything finished in my studio. It has been a difficult time for everybody but for me at last I have managed to clear the back log and got into my studio to finish off this triptych started in response to the Australian fires which seem a long time ago now.
The other day I took out a plastic container with pigment in but was alarmed by my finger going through the plastic lid which had denatured and turned brittle. I soon found that all the others were the same so ordered some lovely glass jars from a company called EcoRefill seen on line. This new little company also delivers dry goods as well as glass containers and even reuses the packaging which is sent back to them. I will be buying more of these containers which come in a variety of sizes. I will be ordering some of my dry groceries from them too which will reduce the amount of plastic packaging going into my rubbish bin.
On a whim this morning I decided to sand and repaint a little side table I use every day. It was in need of a quick freshen up as it had began to look like something Paddington bear has been using. Easy little job, just sand it, clean it off then apply a fresh coat of chalk paint. Obstacle number 1 the chalk paint has gone hard. Having got the bit between my teeth I decided to use emulsion. Obstacle number 2, enter the large tin that has not been opened for couple of years. Then ensued a battle that many of you DIYers out there will be familiar with, getting the tin open. Having tried unsuccessfully for 15 minutes to prize it off I resorted to giving it a gentle bash on the floor which I did with caution as in the past I have had the lid come off and the tin vomit its content all over the floor. Still no movement.
As an artist I often have to deal with stuck lids and a quick emersion in hot water usually works so I decided to try this. I boiled water lay the tin in the sink on its side and poured the water round the rim then I turned the tin Poured more hot water over it upright and began to prize the lid off. The tin had a more spectacular show in mind and explosively blew the lid off sending it across the kitchen splashing the paint collected in the rim all over me, the floor, my hob and units. Jackson would have been delighted!
Today I’ve added one or two more collaged bit of paper and covered the picture with a a glaze of Indian Yellow which gives it a more orange appearance and unifies it as a whole. I think its finished though I may add one or two thinner lines in the background but at the moment I am leaning towards leaving it as it is. This not a very good photo as its too wet and windy to take a canvas outside to photograph.
I am still mentally reeling from the the images of the devastating Australian bush fires and here is another picture started in the firestorm series this time collaged paper and acrylic on canvas. In progress. 50x70cm
Yesterday I posted some digital sketches on the theme of the Australian bush fires. This painting in oils is called ‘After the fire’. It is 80x80cm on coarse Jute canvas. I used black oil stick to create the tree lines which worked well on the jute though used the stick up rather quickly.