I started this painting at the start of 2020 after the distressing forest fires burning in Australia and other places in the world then covid took off and lock downs happened and somehow my painting dried up in favour of growing vegetables. At last I have started to work on it again though its quite a daunting task as it is a very big canvases big I have to stand on a small stool to reach the top. So far I have had two sessions on it and have made progress but there is a lot more work to do. Watch this space!
There is a value in keeping a painting you think is finished hanging around the studio where you can see it because it will talk to you sometimes screaming until you pickup a brush and correct the offending area. This painting was such a one. It didn’t look right and had a sort of empty space in the middle. I had tried to keep the area with the golden marjoram in the centre clear but just ended up with a hole so I decided to extend the white umbels using oil pastels instead of paint. I won’t work on it again however loud it tries to make itself heard I have had enough it.
Oil on Block canvas 80x80cm
Last year before the lockdowns I started two paintings as a reaction to the terrible fires in Australia then stopped working altogether, I finished them both recently. I was very moved and distressed by the extreme nature of those fires as well as all the other warnings the planet seems to be giving us that we seriously need to change our ways.
This last couple of weeks I have started painting again. It all dried up during the stress of the covid outbreak with all its accompaniments leaving my studio littered with several unfinished works. I have now reduced that to one which is very large. This painting of part of our garden was the first to be attacked and now after several sessions seems to be finished. Summer Garden, oil on cotton box canvas 80x80cm.
My daughter has a tattoo studio called Love The Rock Studio with a small gallery on the ground floor. She organised an exhibition entitled “The Heart” of it”. A plaster heart was sent out to all entrants with a return label and a brief to decorate or alter it in any way they chose and return it to the gallery. The resulting exhibition is a wonderful kaleidoscope of talent and here are some examples. the exhibition can be viewed in its entirety at instagram.com/sltr_the_heart_of_it/(opens in a new tab)
Several years ago I set out to do a series of small gouache paintings recording some childhood memories. Tomorrow is 75 years since VE day and one of the paintings depicts a vivid memory of the celebratory bonfire on our street complete with an improptu Bitannia with dustbin lid shield and toasting fork trident. Bonfires were not allowed during the war years so as a just turned five child it was magic.
We lived in an end of terrace house and one of the two communal air raid shelters was againt the end wall so it was literally next door. The shelter had a dog legged entrance to stop any light escaping and making us a target for bombers. When the siren sounded an ARP warden stood by the door with a doward facing dim torch and helped people in. For some reason I was frightened of this man and I vividly remember him shouting to a man running full tilt across the cobbles in the street, “Hurry up! The Jerrys are coming.” I had no idea who ‘the Jerrys’ were and no real concept of the danger we were in but the panicked atmosphere coming off the adults communicated real menace.
The shelter had wooden benches running along both sides and was dimly lit by a single light bulb suspended from the ceiling. We sat by the entrance and our neighbour, Mrs Freeman who lived across the Terrace, sat on the opposite bench with her faithful little companion dog, Judy. I remember my Mum muttering that she was not supposed to bring a dog into the shelter but I as very glad she was there as she held my attention while the antiaircraft gun pounded away from the nearby Park.
We had a small canary finch cross which sat in a cage hung in the window of our kitchen living room. I didn’t know much about the bird except that because it wasn’t a pure canary it didn’t sing, Sadly we returned from the shelter one night to find poor Joey dead in the bottom of his cage. Perhaps all the crashing and banging was too much for him or he was just an old bird. The other possibility was that gas got to him. We all had gas masks and I remember mine having a Mickey Mouse shape.
There was no street lighting because of the blackout but one night I stood in the back yard with my Grandad who pointed out strange lights beaming upwards.To me these were just pretty lights but I now know they were searchlights trying to spot enemy planes in order to shoot them down.
I really meant to post more on this blog but somehow what with trying to source groceries online, worrying about my very vulnerable spouse, getting a raised bed up and running for the first and time tidying the rest of the garden after a very wet winter I didn’t manage to get anything finished in my studio. It has been a difficult time for everybody but for me at last I have managed to clear the back log and got into my studio to finish off this triptych started in response to the Australian fires which seem a long time ago now.
Today I’ve added one or two more collaged bit of paper and covered the picture with a a glaze of Indian Yellow which gives it a more orange appearance and unifies it as a whole. I think its finished though I may add one or two thinner lines in the background but at the moment I am leaning towards leaving it as it is. This not a very good photo as its too wet and windy to take a canvas outside to photograph.
Yesterday I posted some digital sketches on the theme of the Australian bush fires. This painting in oils is called ‘After the fire’. It is 80x80cm on coarse Jute canvas. I used black oil stick to create the tree lines which worked well on the jute though used the stick up rather quickly.
As some one who believes passionately that we need to take the issue of climate change much more seriously than we are doing I was filled with anguish and horror at both the burning Amazon and the terrible bush fires caused by drought in Australia. As an individual there is very little I can do but as an artist I can try to put some of this distress into my work, This probably achieves nothing but at least it gives me some relief.
I have been using my new iPad to produce sketches which I will turn into much larger paintings and here are a few examples.