I’ve just realised that I never got round to posting the finished version of this painting so here it is.
A while ago I shared my work on a painting called Sea Kale which had languished in my studio for a couple of years. Having just registered for the 2020 Chichester Art trail I decided I had better get on with finishing it. Its always hard stopping and starting a painting with long gaps between work and as I began I realised just why it was the painting got pushed to the back of the pile in the first place. As I started I wondered what fit of madness had made me attempt the thing in the first place but I have a thing about finishing things so gritted my teeth and got on with it. After a while I began to feel chilly as I did not have the heat on though I did warm the studio, a log cabin in the garden, before I began. Oil paints make fumes so its not a good idea having a heater going whilst working with them. Before you get your violins out, its long way from the starving artist in a garret and I do retreat to the warm house when I get cold. Any way the painting progressed though its not finished and there are many hours of frustration left in it!
This painting in oils which is 70×70 cm on box canvas started as a wild sketch but as I worked on it in my studio I was afraid of losing the wildness. I find most paintings end up as a compromise between what one sets out to do and what one is able to do. I’m sure I could go on working on it but feel to do so would end up with what I call knitting where all freedom has been lost, not that I have anything against kitting, just not in a painting. No doubt I will see things that need tweaking as it hangs around my studio though.
At last I have managed to get down to work in my studio again. This is stage two of this one. I have used lovely Prussian blue for the background and as I’m using alkyd paints it shouldn’t be too long before I can add the gold stars with my new paint stick. There are other things to add on the figure too.
We live near the beach and Sea Kale grows in the pebbles every year and in the spring emerges with beautiful purple tinged foliage. Here the tight flower buds can be seen too. I began this painting two years ago but scraped most of it off leaving just flat colours and I’m determined not to be beaten this time.