As some one who believes passionately that we need to take the issue of climate change much more seriously than we are doing I was filled with anguish and horror at both the burning Amazon and the terrible bush fires caused by drought in Australia. As an individual there is very little I can do but as an artist I can try to put some of this distress into my work, This probably achieves nothing but at least it gives me some relief.
I have been using my new iPad to produce sketches which I will turn into much larger paintings and here are a few examples.
A while ago I shared my work on a painting called Sea Kale which had languished in my studio for a couple of years. Having just registered for the 2020 Chichester Art trail I decided I had better get on with finishing it. Its always hard stopping and starting a painting with long gaps between work and as I began I realised just why it was the painting got pushed to the back of the pile in the first place. As I started I wondered what fit of madness had made me attempt the thing in the first place but I have a thing about finishing things so gritted my teeth and got on with it. After a while I began to feel chilly as I did not have the heat on though I did warm the studio, a log cabin in the garden, before I began. Oil paints make fumes so its not a good idea having a heater going whilst working with them. Before you get your violins out, its long way from the starving artist in a garret and I do retreat to the warm house when I get cold. Any way the painting progressed though its not finished and there are many hours of frustration left in it!
Well my oil paints have come in from the cold and I am enjoying using them. The odourless thinners is working well and can be seen in the Bombay Sapphire gin bottle (must remember its not gin!). I enjoyed using my old oil sticks so much that I’ve indulged in a set of larger ones, Its summer and I can open the doors and windows of my studio and throw paint around with glee, so look forward to more gleeful paintings.
Today I returned to this painting started plein aire in my garden about a week ago. Went at it with paint sticks in the first session but used a more careful approach this time. I didn’t want to lose the freedom though so tried to to keep it loose whilst giving some structure to the plants.. I worked all day until the wet paint prevented my from continuing. I used alkyd oil paints which dry overnight so it should be ready to work on again tomorrow.
About 20 years ago I bought many large tubes of oil paint on offer in a sale and as I can’t resist a bargain I greedily snapped them up. Sad to say they have lain cluttering up three drawers in my little studio. It’s not that I don’t like oils, just the damaging fumes and the mess, also I moved to acrylics and water based oil paint. Now I have discovered an odourless thinners, bought a large can (it really does have no fumes), as its summer and I can throw all the doors and windows open the time has come to use the languishing paints. I have started three works the last few days and this Harlequin jumping for joy is the latest.
We live near the beach and Sea Kale grows in the pebbles every year and in the spring emerges with beautiful purple tinged foliage. Here the tight flower buds can be seen too. I began this painting two years ago but scraped most of it off leaving just flat colours and I’m determined not to be beaten this time.
Having decided the moment was passed for a painting in acrylic I started over a year ago I primed over it reducing it to pristine whiteness. I carried it out into the garden along with easel and oil paint sticks and let myself loose on it covering the whole canvas in one session. I really enjoyed the freedom of working direct onto the canvas with the sticks and thinner. Just what I needed to kick start my flagging creativity. I will have to wait until its dry now before I can finish it off.
We spent two weeks in our old beach hut which looks over to Cowes on the isle of Wight. Most of the first week we had weather which I quite like as clouds are much more interesting to an artist than clear skies. My friend gave me a concertina sketchbook and I tried to do a view from our doorway each day.